Timeless technology

Posted on By Mark Wilson
This content is 2 years old. I don't routinely update old blog posts as they are only intended to represent a view at a particular point in time. Please be warned that the information here may be out of date.

In recent days, I’ve been thinking about tech that has become ubiquitous. Like the IBM Personal Computer – which is now well over 40 years old and I still use a derivative of it every day. But then I started to think about tech that’s no longer in daily use but yet which still seems modern and futuristic…

…like Concorde

Concorde may not have become as world-dominant was originally intended but, for a while, the concept of supersonic flying was the height (pun absolutely intended) of luxury air travel. Sadly, changing market demands, soaring costs, environmental impacts, and the Paris crash of AF4590 in 2000 sealed its fate. The plane’s operators (British Airways and Air France) agreed to end commercial flights of the jet from 2003.

The elegant lines and delta wings still look as great today as they would have in 1969. And supersonic commercial flights may even be returning to the skies by the end of the decade.

…the British Rail Advanced Passenger Train

British Rail’s Advanced Passenger Train (Experimental) – or APT-E – of 1972 is like a silver dart. Just as you don’t have to be a plane-spotter to appreciate Concorde, the APT-E’ is ‘s sleek lines scream “fast” and in 1975 it set a new British speed record of just over 150 miles an hour.

BR APT-E in 1972

The APT project was troublesome but the technology it developed lived on in other forms. The idea of a High Speed Train (HST) developed into the famous Inter-City 125. That was introduced in 1976 and is only now being withdrawn from service. Meanwhile, tilting train technology is used for high speed trains on traditional lines – most notably the Pendolinos on the UK’s West Coast Main Line.

…and Oxygène

Last night, I was relaxing by idly flicking through YouTube recommendations and it showed me this:

It’s an amazing view of the early-mid 1970s electronic instruments that Jean-Michel Jarre used to create his breakthrough album: Oxygène. And, as I found earlier this evening, it’s still a great soundtrack to go for a run. Listening on my earphones made me feel like I was in a science fiction film!

Modern electronic artists may use different synthesizers and keyboards but the technology Jean-Michel Jarre used smashed down doors. Oxygène was initially rejected by record companies and, in this Guardian Article, Jarre says:

“Oxygène was initially rejected by record company after record company. They all said: ‘You have no singles, no drummer, no singer, the tracks last 10 minutes and it’s French!’ Even my mother said: ‘Why did you name your album after a gas and put a skull on the cover?'”

Jean-Michel Jarre

Nowadays, electronic music – often instrumental – is huge. After playing the whole Oxygène album on my run, Spotify followed up with yet more great tracks. Visage (Fade to Grey), Moby (Go), OMD (Joan of Arc)… let’s see where it goes next!

What other timeless tech is out there?

I’ve written about three technologies that are around 50 years old now. Each one has lived on in a new form whilst remaining a timeless classic. What else have I missed? And what technology from today will we look back on so favourably in the future?

Featured images: British Airways Concorde G-BOAC by Eduard Marmet CC BY-SA 3.0 and The British Rail APT-E in the RTC sidings between tests in 1972 by Dave Coxon Public Domain.

A little bit of music theory for guitarists

Posted on By Mark Wilson
This content is 3 years old. I don't routinely update old blog posts as they are only intended to represent a view at a particular point in time. Please be warned that the information here may be out of date.

Picking up from my post about learning to play a guitar, I thought I’d add some notes of some of what I’ve learned along the way.

First up, reading music. Not necessary. I used to be able to read music, back when I played classical guitar in the 1980s, but I’ve fallen out of practice now. FACE, EGBDF, treble clefs and their ilk are all a distant memory. These days I read chord charts and lyric sheets with a few strum patterns!

The three chord trick

I mentioned in my last post that the chords A D and E were useful for playing basic pop/rock songs. There’s a huge range you can play with these three chords. That’s because of something called the three chord trick.

Basically, for a given key, there is a set of three chords that will work together musically. These are the 1st, 4th and 5th. In the key of A, that’s A D E. For G it’s G C and D. (Musical notes only run A to G, then they start again for the next octave).

There are other things to consider – like major and minor keys; and subdominant, tonic and dominant seventh chords but the 1, 4, 5 is really helpful to know. Just play around and see what you can play/make up with three chords.

Using a capo

If you want to adjust the key, but don’t want to move away from simple open chords like A, C, D, E and G (Bs and Fs make things complicated on a guitar), then a capo comes in handy. Basically, it’s a bar that’s placed across the strings at a given fret and it effectively shortens the strings (acting in place of the neck of the guitar), adjusting the key without retuning.

Barre chords

I’m at the stage where I’m just starting to learn about barre chords. Basically, a barre chord uses a finger, laid across five or six strings in a similar manner to a capo. Add in an E shape (6 strings) or A shape (5 strings) chord and move up and down the fretboard to play all of the major chords.

Featured image by Thorsten Frenzel from Pixabay. 

40 years of learning to play a guitar

Posted on By Mark Wilson
This content is 3 years old. I don't routinely update old blog posts as they are only intended to represent a view at a particular point in time. Please be warned that the information here may be out of date.

40 years ago, I started to learn to play a guitar. I was 9 years old – I didn’t know what I wanted to learn! After 4 years, 3 grades of classical guitar, and not enough practice, I gave up. My Mother was not impressed after all that money spent on lessons. We just hadn’t found the right teacher, or style.

Then, in my 20s, I was travelling in South Africa with some friends. Two of the guys on the trip had guitars with them and would play on the bus/around the campfire. I loved it… a bit of ‘Stones… some other classic pop/rock. This was what I wanted! I bought a copy of Guitar for Dummies and tried to teach myself. It didn’t work. The book sat on the shelf for years and my guitar gathered dust in the loft.

In my mid 40s, I saw a local group of musicians advertising a guitar workshop in the town where I live. Come along and join in, learn to play, no experience needed – all ages welcome. So I went down with my elderly classical guitar, met Ian (Roberts) and Trevor (Aldred), learned a few chords (A, D and E) and was soon playing old Elvis Presley songs. A few months later, I’d learned a few more chords and I bought myself a new guitar (a Faith Blood Moon Neptune cutaway electro-acoustic). Not long after that I played my first gig. OK, “gig” is a bit strong but it was me and some of the other students, in a pub, playing a few pop/rock songs like American Pie and Chasing Cars.

I still don’t practice enough, but my family complain when I sing (which directly impacts my practice). I’m working on Heroes and Times Like These right now. And I’m trying to perfect my strumming. Recently, I realised just what a difference changing my strings makes to the sound of the guitar – it’s like new again (thanks to Newport Music).

Whilst I still play with my local group on a Saturday morning (although we didn’t meet for a year because of the pandemic), I have the basics and can learn a bit more on my own. I still find books unhelpful (mostly) but there are some fantastic resources on the ‘net, and I really rate Justin Sandicoe (JustinGuitar)’s and Andy Crowley (AndyGuitar)’s websites and YouTube channels.

So, if you fancy learning to play the guitar, my advice after 40 years would be:

  1. Work out what you want to play – electric or acoustic; pop/rock, folk or classical.
  2. Practice.
  3. Don’t give up.
  4. Practice more.
  5. Find some others to jam with (it really builds confidence and hides your mistakes).
  6. Have fun!

(Maybe one day I’ll build the confidence to play solo at an open mic night…)

Featured image: author’s own.